![]() Credit the plot of that Broadway juggernaut “Wicked,” recycled for “Through the Looking Glass,” as the gift that keeps on giving. The sibling feud escalates into a global conflict that at one point stops time itself. Iracebeth’s bitterness dates to a childhood incident involving cake crumbs, in which she is blamed for Mirana’s mess. One of the major plot threads concerns the conflict between the evil Red Queen, Iracebeth (a feisty, snapping Helena Bonham Carter), and her sister, the angelic White Queen, Mirana (a pallid Anne Hathaway). Bobin believes in taking opulence and extravagance to extremes. Burton, whose original film made over $1 billion at the global box office, Mr. Were it not for sweets, there would hardly be a story. There’s more to gape at than the eye can take in.Ī symbol of that excess is a table set for a two-person tea party whose piles of goodies contain enough sugary calories to fell an entire Navy battalion from diabetic shock. ![]() This sequel to Tim Burton’s “Alice in Wonderland,” directed by James Bobin (“The Muppets”), is so cluttered with an unwieldy mixture of Victoriana and special-effects gadgetry that every nook and cranny is crammed with stuff. The best and maybe the only way to appreciate “Alice Through the Looking Glass” is to surrender to its mad digital excess and be whirled around through time and space in a world of grotesque overabundance.
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